Hands-On — April 24, 2010 21:37 — 0 Comments
Emily Pilloton – architect and inspiring social innovator
Emily Pilloton is one of today’s brightest young architects as well as a devoted green designer and tireless educator. Founder and Executive Director of Project H Design, Pilloton trained in architecture at UC Berkeley and product design at the School of the Art Institute of Chicago. A California native, Pilloton is an unwavering optimist and lectures worldwide about new social impact imperatives for the product design industry.
Her book, “Design Revolution: 100 Products that Empower People,” is a compendium of and call-to-action for product design for social impact. The book features contemporary design products, such as safer baby bottles, a waterless washing machine, low-cost prosthetics for landmine victims, and much more. Emily’s own design, the Hippo roller, is helping third world residents transport large amounts of water easily and much more efficiently.
In 2008, Pilloton started Project H to provide a conduit and catalyst for need-based product design that empowers individuals, communities, and economies. A charitable organization, Project H Design supports, inspires, and delivers product design initiatives for Humanity, Habitats, Health, and Happiness. Eloquent and passionate about her mission, Pilloton lectures on the importance of soc
ial action and building, the design revolution, design for empowerment, and design activism for the sake of humanity. She believes that product design should not be focused on “want-driven” consumption in luxury markets, but rather “need-driven” solutions for all demographics traditionally overlooked by the design market.
As editor of the weblog Inhabit, Pilloton’s popular blog is devoted to the future of design, tracking the innovations in technology, practices and materials that are pushing architecture and home design towards a smarter and more sustainable future. Inhabitat serves as an online forum for investigating emerging trends in product, interior and architectural design and covers topics on emerging technologies, green building, energy efficient interior design, emerging sources of renewable energy and sustainable product design.
Pilloton fervently believes that design solutions c
an empower people, community, and economies, and she has set out to prove her point by challenging the design world to join her in building those solutions: “We need to go beyond ‘going green’ and to enlist a new generation of design activists. We need big hearts, bigger business sense and the bravery to take action now. As a 2009 Pop!Tech Social Innovation Fellow, Pilloton was also chosen as one of America’s up and coming by New York Times’ T Magazine.
November, 2010
“I spent this morning in a woodshop, teaching teenagers how to prototype roof joists for public chicken coops. And not just any teenagers — loud, unruly, secretly brilliant, very underprivileged teenagers.
How I ended up in this role — a trained architect and designer working as a high school educator in the poorest county in North Carolina — was a feat of serendipity, blind ambition, and the desire to bring together design, community building, and public education.
In July, I stood proudly — and nervously — on the stage at TED Global in Oxford, England, and told the story of Studio H, the high school curriculum my partner, Matthew Miller, and I had spent a year and a half developing and implementing in Bertie County, North Carolina. The idea was ambitious: Teach design, coupled with vocational shop class, at a high school level for one full year, then build a full-scale architectural community project alongside students the following summer.
In short, we believed we could bring back shop class, infuse it with design thinking, and build real community progress in a struggling rural place like Bertie County. Bertie has a total population of 20,000, with 27 people per square mile; one-third of the children live in poverty; and 95 percent of all public school students receive a free or reduced-rate lunch.
That TED talk, which I delivered with sincere passion, came with a tragic irony: As I told the story, I was unaware that wheels were in motion to oust both the visionary superintendent who first brought us to Bertie County and any programs he helped make possible (i.e. Studio H). The evening after my talk, in a state of post-TED euphoria, I heard the news from my partner, Matt: “Dr. Z is gone. And we might be too if we don’t fight.”
Redesigning education in rural areas
What followed was an emotional and political roller coaster that can only be described as Machiavellian.
It involved a school board which evicted us from the district-owned home we were living in, followed by accusations that we had forged our grant funding documents. One board member even asked me for my bank account info so she could check for herself that we had the money.
It involved pleading to the board while they not-so-subtly told us to scram, and eventually talking them into letting us stay on the condition that we would receive not one penny of support from the school district. In short, we “won.”
What ultimately prevailed over the petty attacks from the school board was the fact that our 13 incoming students, all juniors, and their parents wanted nothing more than to see Studio H happen.
When we rolled up the garage door to our Studio H shop space on the first day of school, August 11, we took a deep breath and welcomed the 13 young adults who would become some of the most impressive cohorts I’ve had the pleasure of working with. (We like to joke that we run a design firm with a gaggle of teenagers.)
Over the course of the year, they’ll learn everything from how to use a bandsaw and MIG welder to ethnographic research techniques, the Adobe Creative Suite, typography, hand drafting, and on-site construction management.
So far, we’ve completed our first project, “Design Bootcamp,” in which students designed and built a set of graphic boards for a simple beanbag toss game. We’re quickly progressing in the second project: designing and building public chicken coops to provide families and businesses with more sustainable food sources.
In the spring semester, we’ll design a farmer’s market pavilion, which will be built by the students, in partnership with the city and county, next summer. They will be paid as employees of our organization, Project H Design.
One of our students is a teenage mother. Others live in dilapidated trailers and depend on food stamps. Others are hunters or farmers. Most have parents who haven’t been to college or graduated from high school. And yet the chance to learn by doing, to apply real hands-on skills to local projects, and to produce solutions for their communities that earn them respect as the changemakers of the future is unparalleled in their educational experience.
The sad truth is that many people, including teachers, school board members, and even parents, have in a sense given up on youth. In an aging community where politics rule education and the pool of qualified teachers is shallow, the kids get the short end of the stick.
What design can offer such public education systems is a chance to re-engage, and a chance for education — and youth — to become a vehicle for community improvement. And when that design is coupled with vocational skill development that improves economic opportunity and supports local trades, all the better.
This is what design is all about: growing creative capital in unexpected places, by the hands of underestimated individuals. I hope to see each and every Studio H student become a more critical, creative thinker, leave our program with industry-relevant skills, and take pride in the fact that the students have built meaningful infrastructure for their community.
Our motto used to be “Design can change the world.” But in fact, the story is much smaller. Design is not about changing the world, necessarily, but creating the conditions in which change can occur and nurturing the desire and tools to make change happen.
Our new motto, which is printed on a billboard on a middle-of-nowhere stretch of Highway 17 coming into Bertie County, says it much better: Design. Build. Transform.” Emily Pilliton
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Pilloton's exceptionally smart, friendly and well-designed book makes the case for design as a tool to solve some of the world's biggest social problems in beautiful, sustainable and engaging ways--for global citizens in the developing world and in more developed economies alike. Particularly at a time when the weight of climate change, global poverty and population growth are impossible to ignore, Pilloton challenges designers to be changemakers instead of "stuff creators." Both urgent and optimistic, this book is a compendium and a call to action.


